katrinaniebergal

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	<title>katrinaniebergal</title>
	<link>https://katrinaniebergal.com</link>
	<description>katrinaniebergal</description>
	<pubDate>Fri, 24 Jul 2026 08:00:18 +0000</pubDate>
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		<title>PUBLICATIONS: REHERSALS FOR DEPARTURE</title>
				
		<link>http://katrinaniebergal.com/PUBLICATIONS-REHERSALS-FOR-DEPARTURE</link>

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		<pubDate>Fri, 24 Jul 2026 08:00:18 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
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		<description>katrina niebergalworkPUBLICATIONS
— REHERSALS FOR DEPARTURE/SITE 9831-B— come, memory: fieldwork— come to your senses— poems— melons and jugs— derby
— surviving a week...
about/contact
cv
&#60;img width="1740" height="2469" width_o="1740" height_o="2469" src_o="https://cortex.persona.co/t/original/i/2f10b58cb6ac8777622c451890c537037286a776acaa695d7d0f1e44573e00ef/KN_cover.jpg" data-mid="1442719" border="0" data-scale="70"/&#62;~ read Rehersals for Departure/Site 9831-B here ~ 
Rehearsals for Departure / Site 9831-B is a hybrid, poetic-textual work unfolding alongside my long-term experimental feminist sci-fi (SF) film and installation project, Bodies of the Future. Combining narrative fragments, epigraphs, and a field-research log, the piece registers the material, infrastructural, and temporal conditions that render certain futures inevitable. Shipyards, factories, transit corridors and dismantled landscapes are approached not as backdrops but as rehearsal spaces: sites where departure, extraction, and redundancy are practised and normalized.

Rather than offering linear narration, the work assembles observations, speculative gestures, and the field notes of a lone operative, DROBE, who records and misrepresents what he encounters. By blending pre-narrative reflection with immersive, sometimes fantastical reportage, the piece functions as a parallel strand to the larger SF project, offering a speculative lens on the habits, infrastructures, and imagined logics that precede transformative events.~

Kunstlicht, (OUTER) SPACE(S), Vol. 47, no. 1/2, Amsterdam, The Netherlands

This Kunstlicht issue is dedicated to (outer) space(s): the political, societal, technological and imaginary beyond the dominant narratives and hegemonic histories of science fiction, space travel and other space-related entities.
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		<excerpt>katrina niebergalworkPUBLICATIONS — REHERSALS FOR DEPARTURE/SITE 9831-B— come, memory: fieldwork— come to your senses— poems— melons and jugs— derby —...</excerpt>

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		<title>WORK: BODIES OF THE FUTURE</title>
				
		<link>http://katrinaniebergal.com/WORK-BODIES-OF-THE-FUTURE</link>

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		<pubDate>Tue, 21 Jul 2026 08:05:09 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
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		<description>katrina niebergalWORK:
— BODIES OF THE FUTURE: 01: SENSRORY WALK&#38;nbsp; &#38;nbsp; — sensory walk (test)— come, memory— dancer’s slab— flowers— the figure of a woman— card carrying saint
publications
about/contact
cv
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" src_o="https://cortex.persona.co/t/original/i/172fe1fb7eafe3adb1cf999c1b736526b2eda56d67145d47b79fb924094b3d45/10_Katrina-Niebergal-Bodies-of-the-Future-2026_photo-Jake-Caleb.jpg" data-mid="1442481" border="0" data-scale="70"/&#62;
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&#60;img width="3648" height="5472" width_o="3648" height_o="5472" src_o="https://cortex.persona.co/t/original/i/ac363aef263948ccdb2e2779513cd7b34c400c0530f29f008087de590848fab7/19_Katrina-Niebergal-Bodies-of-the-Future-2026_photo-Jake-Caleb.jpg" data-mid="1442479" border="0" data-scale="70"/&#62;
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Bodies of the Future: 01: Sensory Walk, 2026,participatory event, Buitenplaats Brienenoord, Rotterdam, NL

Bodies of the Future: 01: Sensory Walk was held on June 20, 2026, the first of two participatory events developing an ongoing feminist sci-fi (SF) project. Participants moved through the landscape of Brienenoord island wearing handmade sculptural components — contact mic gloves, frog-footprint silicone shoes, and polarized sunglasses set with porcelain elements.

The wearables function as speculative tools: each introduces a minor bodily or perceptual shift, asking participants to inhabit the landscape differently and to sit with a question of evolutionary opportunity — what the body becomes when the world it evolved with is ending. Participants worked as agents within the project's questions rather than an audience to them.

Building on a test event held in October 2025 with Platform DIS in Nijmegen, Sensory Walk extends the project's method of embodied world-building through modest, physical interventions. Within the larger 16mm film project, it forms part of a braid of scripted, documentary, and participatory material — a speculative inquiry into feminist, post-patriarchal, post-capitalist futures.

READ: Bodies of the Future: 01: Sensory Walk collective reading text

&#60;img width="3508" height="4961" width_o="3508" height_o="4961" src_o="https://cortex.persona.co/t/original/i/4dac73241db2ad2320d59902cd5bbb67f41954ee213108d2181a1d1eab870df5/KN_SENSORY-WALK_collective-reading-text_JUNE_pg4-5_POSTER_smaller.jpg" data-mid="1442489" border="0" data-scale="70"/&#62;
Thank you to Maurice Specht/Buitenplaats Brienenoord,Rotterdam and Wouter Engelbart/Platform DIS, Nijmegen for supporting this work and research.

Thank you to my dear Bergur Anderson, Yoana Buzova, Folke Janssen and Kunstinstituut Melly for helping bring the works to life.Photos Jake Caleb@foto_jakecaleb
 
</description>
		
		<excerpt>katrina niebergalWORK: — BODIES OF THE FUTURE: 01: SENSRORY WALK&#38;nbsp; &#38;nbsp; — sensory walk (test)— come, memory— dancer’s slab— flowers— the figure...</excerpt>

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	<item>
		<title>DOCS</title>
				
		<link>http://katrinaniebergal.com/DOCS</link>

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		<pubDate>Tue, 28 Apr 2026 19:37:37 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
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		<description>Katrina Niebergal: 
CV (PDF)Research and Artistic Porfolio (PDF)</description>
		
		<excerpt>Katrina Niebergal:  CV (PDF)Research and Artistic Porfolio (PDF)</excerpt>

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		<title>SENSORY WALK</title>
				
		<link>http://katrinaniebergal.com/SENSORY-WALK</link>

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		<pubDate>Fri, 23 Jan 2026 09:35:23 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
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		<description>katrina niebergalWORK:— bodies of the future: 01: sensory walk&#38;nbsp; &#38;nbsp; — SENSORY WALK (TEST)— come, memory— dancer’s slab— flowers— the figure of a woman— card carrying saint
publications
about/contact


&#60;img width="2279" height="1535" width_o="2279" height_o="1535" src_o="https://cortex.persona.co/t/original/i/848ad8e5cb35f242137522838baf1587f3fe80b9b583bbed8abd1a40c22a8413/Katrina-Niebergal_Sensory-Walk_Test_Oct-2025_04.JPG" data-mid="1430070" border="0" data-scale="70"/&#62;&#60;img width="2279" height="1535" width_o="2279" height_o="1535" src_o="https://cortex.persona.co/t/original/i/5f978a5cabd93d30d572e486285a97d8013f40e9efa85807c968c8b1ebf7b574/Katrina-Niebergal_Sensory-Walk_Test_Oct-2025_08.JPG" data-mid="1430073" border="0" data-scale="70"/&#62;
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&#60;img width="2279" height="1535" width_o="2279" height_o="1535" src_o="https://cortex.persona.co/t/original/i/df51fbcfcc95a103ba32211fce4d0c2067934e7250f69b2ca68443f3bd2ba523/Katrina-Niebergal_Sensory-Walk_Test_Oct-2025_05.JPG" data-mid="1430072" border="0" data-scale="70"/&#62;
&#60;img width="2279" height="1535" width_o="2279" height_o="1535" src_o="https://cortex.persona.co/t/original/i/dcee64e05bc3bf1a32c0ca197d9eec70e37fe4c2ef78152e37f186311cf4fdd5/Katrina-Niebergal_Sensory-Walk_Test_Oct-2025_02.JPG" data-mid="1430071" border="0" data-scale="70"/&#62;
Sensory Walk (TEST)(work in progress documentation), 2025, 35mm colour photographs, collaborative event with Platform DIS, Waal River, Nijmegen, NL


Sensory Walk (TEST) documents a developmental event held on October 24, 2025, conceived as an experimental testing ground for an ongoing feminist science-fiction (SF) project. The session was designed to trial sculptural costume components — silicone frog footprint wearables and copper ear-pieces — developed to subtly alter participants’ movement, listening, and sensory attention in relation to landscape.

Rather than functioning as finished objects, the wearable sculptures operate as speculative tools: they introduce minor bodily and perceptual shifts that invite participants to experience their environment differently, foregrounding questions of evolution, adaptation, and relational perception. The walk unfolded collectively, with peers moving through a shared landscape while attending to sound, balance, rhythm, and bodily awareness.

The event functioned as a collaborative research moment, generating feedback on the material, sensory, and experiential dimensions of the work. Insights from this test directly inform a series of participatory scene-making events planned for spring 2026. Within the larger project, Sensory Walk operates as an early experiment in embodied world-building, using modest interventions to explore speculative evolution, feminist futurity, and collective imagination beyond dominant human-centered frameworks.
</description>
		
		<excerpt>katrina niebergalWORK:— bodies of the future: 01: sensory walk&#38;nbsp; &#38;nbsp; — SENSORY WALK (TEST)— come, memory— dancer’s slab— flowers— the figure of...</excerpt>

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	<item>
		<title>COME, MEMORY: FIELDWORK</title>
				
		<link>http://katrinaniebergal.com/COME-MEMORY-FIELDWORK</link>

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		<pubDate>Sat, 18 Nov 2023 13:24:11 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
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		<description>katrina niebergalworkPUBLICATIONS
— rehersals for departure/site 9831-b— COME, MEMORY: FIELDWORK— come to your senses— poems— melons and jugs— derby
— surviving a week...
about/contact
cv


&#60;img width="2087" height="2402" width_o="2087" height_o="2402" src_o="https://cortex.persona.co/t/original/i/83a45f76d247e49ebe65882e9379f58a4ba0239d9a5273211fb0f8e9958a582b/come-memory-fieldwork_poster_side-1_no-layers.jpg" data-mid="1330684" border="0" data-scale="70"/&#62;
&#60;img width="2087" height="2402" width_o="2087" height_o="2402" src_o="https://cortex.persona.co/t/original/i/62ee8608b5ac10ebb316bc431289aeb458b6fdae1f8d3fb9f0dee8675540d1b6/come-memory-fieldwork_poster_side-2_no-layers.jpg" data-mid="1330683" border="0" data-scale="70"/&#62;
This sound work weaves together field recordings and audio
materials gathered throughout the development of come, Memory.
Created in collaboration with composer and field recordist
Bergur Anderson, it extends the project's research into the
acoustic realm — where sites, spirits, and histories resonate
through texture, rhythm, and interference — tracing a sensory
geography of ancient landscapes and speculative mythologies.

listen / order here


&#60;img width="897" height="620" width_o="897" height_o="620" src_o="https://cortex.persona.co/t/original/i/09045bd4c5e5912ec4965d7db877cc65606d655d4e58376d6bef1ea69b3543d0/come-memory-fieldwork_tape-design_side-A.jpeg" data-mid="1330685" border="0" data-scale="71"/&#62;
SIDE A

• Optigan organ intro• Tarxien Temples, Malta• by Ramla Beach, Malta• Acropolis, Athens• drum groove• Mdina bus, Malta• excerpt from Lewis Mumford’s, The City in History, 1961
busker and busy corner, Athensgoats on the way to Katholiko beach, CreteWuestenwinds beach, MaltaCROWD* voices, the great moundJuno’s groove
SIDE B

Stonehenge chatsAgia Triava Archeological Site, CreteSkorba Temples, MaltaDruid’s themebackground voice takes, No talking springOptigan boogieOrthodox service, Mykonoswater splashApollo’s Temple, NaxosSnake Eyes, Noble Experiment (Thinking Fellers Union 282, 1994)

Katrina Niebergal &#38;amp; Bergur Anderson come, Memory: fieldwork, 2023ed. of 50 cassette-tapes, 29 minutes, 12 seconds,&#38;nbsp;releases November 28, 2023.

*CROWD voiced by Johan Björck, Jake Caleb, Tracy Hanna, Daisy Madden-Wells, Laura Piasta, Ceola Tunstall-Behrens, and Annemarie Wadlow

thanks to: Frédéric Van de Velde + Futura Resistenza / WET film / CBK Rotterdam / WORM Sound Studios / The Canada Council for the Arts</description>
		
		<excerpt>katrina niebergalworkPUBLICATIONS — rehersals for departure/site 9831-b— COME, MEMORY: FIELDWORK— come to your senses— poems— melons and jugs— derby —...</excerpt>

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	<item>
		<title>COME, MEMORY</title>
				
		<link>http://katrinaniebergal.com/COME-MEMORY</link>

		<comments></comments>

		<pubDate>Thu, 08 Jun 2023 10:49:33 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>katrina niebergalWORK:
—&#38;nbsp;bodies of the future: 01: sensory walk— COME, MEMORY— dancer’s slab— flowers— the figure of a woman— card carrying saint
publications
about/contact
cv


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&#60;img width="2362" height="1633" width_o="2362" height_o="1633" src_o="https://cortex.persona.co/t/original/i/6823afbc122a68a64f2d4f39e4b0cb921d3441ebfdcded51c45eed290746c474/Katrina-Niebergal_come-Memory_WET_KN_install_07_lo.jpg" data-mid="1293336" border="0" data-scale="70"/&#62;
&#60;img width="1537" height="2362" width_o="1537" height_o="2362" src_o="https://cortex.persona.co/t/original/i/b2ad71b6dff266af20f802a7268ddf94d16a696f8dfdd351d436e1891e4e7db1/Katrina-Niebergal_come-Memory_WET_KN_install_08_lo.jpg" data-mid="1293337" border="0" data-scale="70"/&#62;

come, Memory is a film and scenographic installation; a result of a long trajectory of research, experimentation and collaboration, that centres on a series of ancient (especially Neolithic) European sacred sites, and looks speculatively, through embedded, eroded and residual evidence, at the presence/absence of the divine womanly (Great Mother) and at human-spiritual-relationships with the earth. 

.
—

Ogygia: testimony to a disappeared civilization
super 8mm transferred to digital with sound
9 minutes, 48 seconds

 filmed in Malta in December, 2021
additional footage shot on Texel, Netherlands
NARRATOR voiced by Nele Möller

link to film (password required)


 No talking spring
super 8mm transferred to digital with sound
8 minutes, 32 seconds

 filmed in Athens, Delphi, Delos, Naxos, and Crete, Greece, in April 2022
additional footage shot in the Okanagan Valley, Canada
THE ORACLE voiced by Diana Duta

link to film&#38;nbsp;(password required)

 
the great mound (mama)
super 8mm transferred to digital with sound
10 minutes, 25 seconds

 filmed in Wiltshire, UK, in September 2022
additional footage shot in Den Haag, Netherlands
CROWD voiced by Bergur Anderson, Johan Björck, Jake Caleb, Tracy Hanna, Daisy Madden-Wells, Laura Piasta, Ceola Tunstall-Behrens, Annemarie Wadlow, and Katrina Niebergal

link to film&#38;nbsp;(password required)


Sound for all films by Bergur Anderson
—

mirror, 2023, found object: glass mirror


prickly pear, 2023glazed stoneware


(Knight’s) Head, 2023
glazed stoneware
72 x 38 x 47


 sign (arrow), 2023
wood, paint


(Kouros’) Foot, 2023glazed stoneware76 x 33 x 64.5 cm


Cock, 2023glazed stoneware63 x 50 x 23 cm

—&#38;nbsp;

link to exhibition booklet containing an exhibition text written by Jen Weih and the film scripts. Doubled-sided, A2 riso-print, edition of 100.

—

come, MemoryMay 19 until June 3, 2023WET, Rotterdam
installation photos: Nick Thomas

The project was kindly supported by the Canada Council for the Arts’ Research and Creation Grant and by CBK, Rotterdam


&#60;img width="1201" height="220" width_o="1201" height_o="220" src_o="https://cortex.persona.co/t/original/i/d9696cbf288768e41232a0485f18895816e12eb0d5736a827f8d6f7bd0ba72d6/CCA_RGB_white_e.png" data-mid="1293340" border="0" data-scale="33"/&#62;&#38;nbsp; &#60;img width="1249" height="175" width_o="1249" height_o="175" src_o="https://cortex.persona.co/t/original/i/df837c153919545b36ccd760a0c6efbb2352be62a13d7ee9d2c60c8393953b55/CBK-logo-RGB_white.png" data-mid="1293343" border="0" data-scale="33"/&#62;</description>
		
		<excerpt>katrina niebergalWORK: —&#38;nbsp;bodies of the future: 01: sensory walk— COME, MEMORY— dancer’s slab— flowers— the figure of a woman— card carrying saint...</excerpt>

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	<item>
		<title>DANCER'S SLAB</title>
				
		<link>http://katrinaniebergal.com/DANCER-S-SLAB</link>

		<comments></comments>

		<pubDate>Sat, 13 Aug 2022 16:02:37 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">428895</guid>

		<description>katrina niebergalWORK:— bodies of the future: 01: sensory walk
— come, Memory
— DANCER’S SLAB— flowers— the figure of a woman— card carrying saint
publications
about/contact
cv


&#60;img width="1990" height="1468" width_o="1990" height_o="1468" src_o="https://cortex.persona.co/t/original/i/fc5fe01a83533801abfcf8a1cb6876d4a99414848fd7af22e779ff462e01f673/Katrina-Niebergal_Dancers-Slab_2022_still-01.jpg" data-mid="1214688" border="0" data-scale="70"/&#62;
&#60;img width="1986" height="1480" width_o="1986" height_o="1480" src_o="https://cortex.persona.co/t/original/i/d2a32da9e8cdc099a46b3d7c604fa5b05259d18abafd2bd710b681d70a3b1399/Katrina-Niebergal_Dancers-Slab_2022_still-03.jpg" data-mid="1214689" border="0" data-scale="70"/&#62;
&#60;img width="1988" height="1482" width_o="1988" height_o="1482" src_o="https://cortex.persona.co/t/original/i/3dccffed991f19f253434ed993e5199474944b0d7fba40fc808b31cdd857a607/Katrina-Niebergal_Dancers-Slab_2022_still-05.jpg" data-mid="1214690" border="0" data-scale="70"/&#62;stills from
Dancer’s Slab, 2022
Super 8mm film transferred to digital video with sound, 
3 minutes, 25 seconds

This experimental short engages with the Järrestad petroglyphs — a quartzite slab in southern Sweden bearing more than twelve thousand 3,000-year-old carvings associated with ritual, fertility, power, and myth. Filmed through a speculative lens, the work traces a composite, semi-fictional womanly figure used as a narrative and research guide across ancient sites.


Catalogue-like observations of the carvings are intermittently interrupted by fleeting bodily presences — clothing, limbs, shifting rhythms — unsettling the film’s role as document and inviting an embodied encounter with the site’s layered histories.


Filmed in September 2021 in Marcinkonys, Lithuania and at The Dancer’s Slab near Järrestad, Sweden.
Recorded, edited, and composed by Katrina Niebergal in June/July 2022 in Oakland and Rotterdam.&#38;nbsp;Sound by Bergur Anderson.


&#60;img width="3893" height="5631" width_o="3893" height_o="5631" src_o="https://cortex.persona.co/t/original/i/47ab51786b8fdc3edb85602009af8058542ed606b2f7c128091d2aae1cfc7872/Katrina-Niebergal_Dancers-Slab_2022_aow_2023_install_07.jpg" data-mid="1316815" border="0" data-scale="70"/&#62;
Dancer’s Slab, installation view, an other world, Rotterdam, September 2023</description>
		
		<excerpt>katrina niebergalWORK:— bodies of the future: 01: sensory walk — come, Memory — DANCER’S SLAB— flowers— the figure of a woman— card carrying saint...</excerpt>

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	<item>
		<title>CTYS</title>
				
		<link>http://katrinaniebergal.com/CTYS</link>

		<comments></comments>

		<pubDate>Mon, 27 Dec 2021 13:51:51 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">416837</guid>

		<description>katrina niebergalworkPUBLICATIONS— rehersals for departure/site 9831-b

— come, Memory: fieldwork
— COME TO YOUR SENSES— poems— melons and jugs— derby
— surviving a week...
contact
cv


Come to your senses was a monthly radio show that aired on Good Times Bad Times community radio, Rotterdam from June 2021 until September 2022.
Through voice, sound, and song Come to your senses explored senso-r-eality; poetic capacity; cosmic entanglement; and beyond — it also acted as a-kind-of-notion-device or sort-of-diary for my life, research, and art practice.

Link includes access to my sound/mix/research archive, running back to 2013 


EPISODE LIST:

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" src_o="https://cortex.persona.co/t/original/i/11c5d5e3c28f6e94c2e950edc227d2829f12c4edf96b81a0a06a7a31166737fe/CTYS-EP-01_The-time-is_JUNE2021.PNG" data-mid="1150489" border="0" /&#62;
CTYS EP. 01: The time is late morning in early summer
aired June 16, 2021 — Rotterdam, Netherlands (live)

CTYS EP. 02: Reasonable, mortal women
aired July 28, 2021 — recorded in Reykjavik, Iceland
a show about feminist futures

CTYS EP. 03: The way the wind brushes the grasses

aired September 8, 2021 — recorded in Kabeliai, Lithuania
a show focused on the character of the Ramblin’ “Man” and it’s many, itinerant aspects

CTYS EP. 04: power and mysteries (moon-child)
aired October 6, 2021 — Rotterdam, Netherlands (live)
a show about the moon

CTYS EP. 05: when you look out of your eyes (OH YOKO)
aired November, 2021 — Rotterdam, Netherlands (live)
a tribute show dedicated to Yoko Ono

CTYS EP. 06: like rocks, immersed in your body of water
aired December 15, 2021 — recorded in Victoria, Gozo, Malta
a back-and-forth song-playing, vibe-creation session with artist and love-dove, Bergur Anderson

CTYS EP. 07: EARTH as a being
aired January 26, 2022 — Rotterdam, Netherlands
a show about the Earth as a body (celestial, corporeal, otherwise)

CTYS EP. 08: Dropping a line
aired February 23, 2022 — Rotterdam, Netherlands
the much anticipated, long-awaited CTYS call-in show-woow-woow-woooooow

CTYS EP. 09:&#38;nbsp;I, who long to drink the water at the source of the spring (PROTEST and HEALING songs)
aired March 23, 2022 — Rotterdam, Netherlands
a show about protest/healing song/ideas and their subversive/dissadent potentials

CTYS EP. 10: Come on tender hearts

aired on April 20, 2022 — recorded in Rotterdam, mixed in Athens
a tarot reading show

CTYS EP. 11: for my baby, whom i love
aired on May 19, 2022 — Rotterdam, Netherlands
a show about love and love-mixes, and itself a love-mix dedicated to Bergur Anderson

CTYS EP. 12: end times
aired September 8, 2022 — the final episode xo</description>
		
		<excerpt>katrina niebergalworkPUBLICATIONS— rehersals for departure/site 9831-b  — come, Memory: fieldwork — COME TO YOUR SENSES— poems— melons and jugs— derby...</excerpt>

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	<item>
		<title>SURVIVING A WEEK</title>
				
		<link>http://katrinaniebergal.com/SURVIVING-A-WEEK</link>

		<comments></comments>

		<pubDate>Mon, 27 Dec 2021 13:50:00 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">416834</guid>

		<description>katrina niebergalworkPUBLICATIONS— rehersals for departure/site 9831-b

— come, Memory: fieldwork— come to your senses— poems— melons and jugs— derby
— SURVIVING A WEEK...
about/contact
cv


&#60;img width="2625" height="2250" width_o="2625" height_o="2250" src_o="https://cortex.persona.co/t/original/i/7cc8090723c43e64637f83cae08e7d710eff18b655cee79bd5ba7de7472293b4/survival-guide-cover-I-no-layers-for-print.jpg" data-mid="1150522" border="0" /&#62;
Surviving a Week in the Wilderness: a guide for transient survivalists, 2013&#38;nbsp;artist-book
printed in an edition of 100
So you find yourself in a survival situation. Whether you’re adrift in shark-infested waters, orphaned amongst the tangled vines of the Amazon, or wandering the ruins of a fallen civilization, it is important to identify your resources, to consider your options, and above all, to keep your head! Though you may have arrived here as a victim of circumstance, or by your own design, you will need some basic advice and direction to make the most of your situation. You can take comfort in the fact that many a brave adventurer before you has found herself in positions far more acute than your own, and your obstacles are surmountable.


&#60;img width="3850" height="2975" width_o="3850" height_o="2975" src_o="https://cortex.persona.co/t/original/i/e7dd9e383d4207156880cf501ab9bfdecb6cfd9e85815d67610888d0b7661802/death-poems-cover-no-layers.jpg" data-mid="1150527" border="0" /&#62;
Bootlegged chapter from&#38;nbsp;Japanese Death Poems
printed in an edition of 5 — offered as a free publication/release accompaniment&#38;nbsp;


&#60;img width="1024" height="710" width_o="1024" height_o="710" src_o="https://cortex.persona.co/t/original/i/17f582b1af9f816c695043566ccb51814378a196f581a12726052904c56710de/small-surviving-install-07.jpg" data-mid="1150516" border="0" /&#62;
&#60;img width="768" height="1024" width_o="768" height_o="1024" src_o="https://cortex.persona.co/t/original/i/495fb3ed60bf10aa72733a3e5aa039d816a58a1c6b02c0a1091b091902dea6b6/small-surviving-install-01.jpg" data-mid="1150514" border="0" /&#62;
&#60;img width="1024" height="768" width_o="1024" height_o="768" src_o="https://cortex.persona.co/t/original/i/4cf74c1c222f0f45d0fcd8d6bf6f51885870417456ad39e99cbf0eefeb3bc94a/small-surviving-install-03.jpg" data-mid="1150519" border="0" /&#62;
&#60;img width="1024" height="768" width_o="1024" height_o="768" src_o="https://cortex.persona.co/t/original/i/0017e612ee0fd5ec88284a4cbc539bf0f7fa1edc60617f2cf3915a9d0dc7bf17/small-surviving-install-04.jpg" data-mid="1150515" border="0" /&#62;
&#60;img width="1024" height="733" width_o="1024" height_o="733" src_o="https://cortex.persona.co/t/original/i/b318e9cd4caa68f2eb20fa1ab15374e744118684fe9fbe72cfa150352aeb963e/small-surviving-install-09.jpg" data-mid="1150520" border="0" /&#62;
Installation views, Surviving a Week in the Wilderness, Sunset Terrace, Vancouver, Canada, December 2013</description>
		
		<excerpt>katrina niebergalworkPUBLICATIONS— rehersals for departure/site 9831-b  — come, Memory: fieldwork— come to your senses— poems— melons and jugs— derby...</excerpt>

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	<item>
		<title>MELONS AND JUGS</title>
				
		<link>http://katrinaniebergal.com/MELONS-AND-JUGS</link>

		<comments></comments>

		<pubDate>Mon, 27 Dec 2021 13:46:27 +0000</pubDate>

		<dc:creator>katrinaniebergal</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">416833</guid>

		<description>katrina niebergalworkPUBLICATIONS— rehersals for departure/site 9831-b

— come, Memory: fieldwork— come to your senses— poems— MELONS AND JUGS— derby
— surviving a week...
about/contact
cv


&#60;img width="2519" height="3564" width_o="2519" height_o="3564" src_o="https://cortex.persona.co/t/original/i/dd7649acd2fcf835854f7185ed6e124e5b67d10d8a7ae69dc3e6706f65fc357c/Melons-and-Jugs_cover_website_smaller.jpg" data-mid="1150503" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/bc91654d3b8be02ae12a8d319963cabc4810016b50b134b79b5f8aba5bde7178/Melons-and-Jugs_pg2_website_smaller.jpg" data-mid="1150504" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/080062bccce7b1b781d53d915edd73ddad7c0d03e5dc955bf47046446357b57e/Melons-and-Jugs_pg3_website_smaller.jpg" data-mid="1150505" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/9d0e0d5358f218d9d9f05850a101af30e8a4bbfb6cecad4d582384df0894e1a5/Melons-and-Jugs_pg4_website_smaller.jpg" data-mid="1150506" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/d2413ad0e3645dd7298bc63d81a7d2b482b64ed578dcc42713c1ff7ef6aad4c6/Melons-and-Jugs_pg5_website_smaller.jpg" data-mid="1150507" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/262d354c076d36c2146d2aded9c464ae72f1d76af07054ee5c73307dcb6f2ee2/Melons-and-Jugs_pg6_website_smaller.jpg" data-mid="1150508" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/9144e49a8f91385cae65295c7f457f1d77fd263335f83e578fc12b3441f2c01d/Melons-and-Jugs_pg7_website_smaller.jpg" data-mid="1150509" border="0" /&#62;&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/a8ed586d848d7e5d2910fc3607fcbb4b6ea53588da9e396993672d28231f8b9f/Melons-and-Jugs_pg8_website_smaller.jpg" data-mid="1150510" border="0" /&#62;
&#60;img width="2520" height="1782" width_o="2520" height_o="1782" src_o="https://cortex.persona.co/t/original/i/7b1806df75675b9fc276d8a249905f4ed3333e6c33abea0f03535eeaac403ea9/Melons-and-Jugs_pg9_website_smaller.jpg" data-mid="1150511" border="0" /&#62;

Melons and Jugs, 2020, artist book / slim publication #1, self-published, edition of 10

a type of thinking
and a way to think</description>
		
		<excerpt>katrina niebergalworkPUBLICATIONS— rehersals for departure/site 9831-b  — come, Memory: fieldwork— come to your senses— poems— MELONS AND JUGS— derby...</excerpt>

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