work
PUBLICATIONS
— COME, MEMORY: FIELDWORK
— come to your senses
— poems
— melons and jugs
— derby
— surviving a week...
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This sound work weaves together field recordings and audio materials gathered throughout the development of come, Memory. Created in collaboration with composer and field recordist Bergur Anderson, it extends the project's research into the acoustic realm — where sites, spirits, and histories resonate through texture, rhythm, and interference — tracing a sensory
geography of ancient landscapes and speculative mythologies.
listen / order here
SIDE A
• Optigan organ intro
• Tarxien Temples, Malta
• by Ramla Beach, Malta
• Acropolis, Athens
• drum groove
• Mdina bus, Malta
• excerpt from Lewis Mumford’s, The City in History, 1961
- busker and busy corner, Athens
- goats on the way to Katholiko beach, Crete
- Wuestenwinds beach, Malta
- CROWD* voices, the great mound
- Juno’s groove
SIDE B
- Stonehenge chats
- Agia Triava Archeological Site, Crete
- Skorba Temples, Malta
- Druid’s theme
- background voice takes, No talking spring
- Optigan boogie
- Orthodox service, Mykonos
- water splash
- Apollo’s Temple, Naxos
- Snake Eyes, Noble Experiment (Thinking Fellers Union 282, 1994)
Katrina Niebergal & Bergur Anderson come, Memory: fieldwork, 2023
ed. of 50 cassette-tapes, 29 minutes, 12 seconds, releases November 28, 2023.
*CROWD voiced by Johan Björck, Jake Caleb, Tracy Hanna, Daisy Madden-Wells, Laura Piasta, Ceola Tunstall-Behrens, and Annemarie Wadlow
thanks to: Frédéric Van de Velde + Futura Resistenza / WET film / CBK Rotterdam / WORM Sound Studios / The Canada Council for the Arts